SOLOING

 

- COMPOSING SOLOS-

 

Composing solos is great! Your creativity gets all the space it needs and you will create something musical that comes from the heart. Depending on how much you are influenced by other guitar players you will sound more or less unique.

It's not easy to tell how to compose a solo because it depends on your level, your skills and creativity. I only can show you how I approach composing and therefore I have chosen a solo from one of my tracks and made a tab for the first 8 bars. I will describe how the solo is structured.

The solo is composed for the ballad "Second Nature"and starts with an up tempo part, gives a melodic change and falls back to a more sensitive part which will lead to the the rest of the ballad. The scales played are Pentatonic and Aeolian.

The trick of composing is to prevent dullness and to choose a varying of tempo, timing and note choices. Try to let the parts talk with each other and use different techniques and feel to sound convincing. There should be some climaxes in it and think about repeating patterns, double string licks and rhythm parts as well. Vibrato and bends are very welcome too of course.

* Click HERE to see the tablature of the first 8 bars and here the solo (total 16 bars) *

DESCRIPTION OF THE SOLO:

The solo starts in D with wah wah effect and is a good example of a to the point and rhythmic lick. The first notes are simple and played downwards, leading to a faster run going up to a climax with a small vibrato which gives a certain emotion feel. Followed by some double stops and moving on to the second climax with the higher bended notes. The run after that downwards is very rhythmic and gives a release in the tension that was build up before. These notes are played with some accent to give it more expressiveness.

The second part is played in E and has a slower tempo, building up from the low E- string to the bended high E-string note and releasing in a vibrato. The bends after that are played with extra accent of the pick to give the sound a crying character for an emotion feel. Then downwards for releasing and giving a melodic tension at the same time, leading to a double string part with a whammy bar vibrato. A few relaxing notes with finger vibrato lead to the double string bends on the E en B string and are followed by a downwards lick for releasing the tension. From there the upwards double string is repeated and ends in the vibrato, applied with the whammy bar.

 

So maybe this gives an idea to compose a solo with different techniques, feel and timing. Creating your own solos is really fun. When I write a song and it comes to the solo part I normally just play along with the backing, improvising a bit un till I think I have a usable structure. Then I try to play a more definitive solo and practice this till I control it, ready for recording.

Hint: Investing in a (digital) multi track recorder is very rewarding when it comes to composing, recording and trying out sounds, structures and licks.